Kris Peysen      Composer

Strings

Piano

​From the Barest of Unformed Kernels... (2025) 10'30"

For symphonic band

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He came like the wind, like the wind touched everything, and like the wind was gone  (2025) 6'30"

For pierrot sextet

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Taming the Beast  (2025) 4'00"

For piano 4-hands

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Reaching, Calling  (2024) 2'00"

For trumpet, viola, and cello

​With Me  (2024) 7'00"

For baritone voice, trumpet, trombone, and bass clarinet

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​​​​Mirages  (2021) 2'00"
For flute and electric guitar

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Tidal  (2020) 3'30"

For electric guitar and piano

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In the Womb  (2020) 4'00" (under revision)

For symphonic band

​Impressions of Morning  (2019) 4'00"
For violin, clarinet, cello, and piano

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Tectonics: Phase 1 (2019) 2'30"
For wind quintet

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Chasing Dawn  (2019) 11'30"

For string quartet

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​Insinuations  (2018) 7'00"

​For flute, oboe, violin, viola, cello, and percussion

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Strung(opening of Chasing Dawn) (2018) 3'00"

For string quartet

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​Moog Dreams  (2017) 6'30"
​For 2-channel fixed media

​Whirlwind  (2017) 7'30"
​For trombone quartet
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​​Restlessness  (2016) 3'00"
​​For solo piano
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Annealed in Fire  (2015) 9'30"
​​For string quartet
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To Awaken a God  (2014) 10'00"
For orchestra
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Ex Nihilo  (2012) 15'00"
For flute, oboe, tenor sax, violin, cello, and three percussionists
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​​​​​Satellites  (2011, rev. 2017​) 3'00"
For double-bass duet
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The Chimney Sweeper  (2010) 21'00"
​​For mixed choir, woodwind quartet, and piano
Text by by William Blake
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Crucible (2008, rev. 2013) 7'30"
For brass quartet and timpani
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Bloom  (2008) 12'00"
For solo piano
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Pagan Dance  (2007) 11'00"  
For flute, oboe, clarinet, violin, viola, and marimba 4-hands
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Chamber (3-8 players)

2nd movement

Woodwinds

By Chronology

Brass

Percussion

Solo/Duet

​​In the Works: ​ a piece for symphonic band (doctoral dissertation)

Large Ensemble

Electric Guitar

Electronic